In Which Al Jazeera Passes Off a Hit Piece as Journalism

Republicans are evil and hate black people, and the current push for tougher voter identification laws is a modern-day poll tax on the level of a vast, Right-wing, neo-Confederate conspiracy. Or something.

That is the gist of the “documentary,” Fault Lines: Disenfranchised in America, hosted by Al Jazeera English presenter Zeina Awad. The 25-minute movie is part of Al Jazeera English’s Fault Lines series, which focuses on the United States’ role in the world. Al Jazeera (from the Arabic for “The Island,” an abbreviation of “The [Arabian] Peninsula”) is an independent broadcaster based in Qatar.

Disenfranchised in America largely covers Republican-led efforts to implement new laws that would, theoretically, make it more difficult for people to commit voter fraud, that is, to make sure that only legal, registered voters are showing up at the polls and casting their ballots. Opponents of such laws argue that voter fraud is a minor or even nonexistent issue and that because certain groups, particularly black voters, are more likely to lack government-issued identification than others, the push for new laws amounts to suppression of Democratic votes. (You can view a map of the various voter ID laws and track news related to new laws being passed — and challenged — here.)

The film largely frames the issue as a matter of black and white, both racially and in terms of the stark contrast drawn between voter ID opponents (Saints) and proponents (Satan). I knew I was in for a clusterfark of demagoguery when Awad referenced the controversial 2000 Presidential election debacle in Florida. She notes that many black, Democratic voters were purged from the rolls and that the Supreme Court’s conservative and conservative-leaning members narrowly voted to stop the recount, thus handing the State and the Presidency to George W. Bush. She did not mention, however, that every major network (even Fox News) called Florida for Vice President Al Gore that night, some before all of the polls were closed. Florida is in both the Central and Eastern Time Zones, and the panhandle, located in Central, is traditionally conservative. The early call undoubtedly hurt Republican turnout, with people leaving long voting lines having been told Florida was no longer being contested.

The lion’s share of interviews are with those who oppose voter ID laws, with minimal voice given to the other side, save a snippet of a discussion with the Florida Attorney General and a quick exchange with Governor Rick Scott, as well as a Tennessee gun club owner and some random Republican and Tea Party rally attendees. (This is the point where I make a minor concession: The gun club owner actually made the best argument for the pro-voter ID side, noting that it is far more difficult to register a gun than to get a driver’s licence, so he supported using a gun registration ID at the polls. Also, his name is Whiskey, which is awesome.)

Frankly, it would have been interesting if Fault Lines had attempted to interview Florida’s Lieutenant Governor, Jennifer Carroll. As a black Republican executive (and most noteworthy, the first black female State executive in American history), she would have been in a unique position in a State where voter ID laws might hurt black turnout. Maybe the producers of Fault Lines did attempt to set up an interview with her or similarly interesting and relevant figures and were turned down, but we simply don’t know and frankly, the unfair tone set by the film leads me to believe we should not give them the benefit of the doubt.

Indeed, there are true hard cases where such laws could unfairly affect voters, and many Republicans are undoubtedly rubbing their hands at the thought that Mitt Romney could benefit in close States with strict voter ID requirements. But it’s not like Fault Lines could not have run the numbers to find out exactly how voter ID laws affect turnout, rather than producing a melodramatic, racially inflammatory smear job. Liberal statistician Nate Silver ran an excellent, comprehensive article examining the effect such laws have and found that, yes, Republicans do tend to benefit, but not by much. In fact, certain Republican constituencies, such as white voters without college degrees, would be negatively affected by such laws.

The film also ignores the very real problem of voter registration fraud (which is, admittedly, not the same as voting fraud but still a related issue), nor that of the practice of buying and selling votes. These things are happening, but in the world of Fault Lines, they do not exist.

Also disturbing was the film turning a blind eye to the blatant political campaigning occurring from the pulpits of the churches featured in the film. Churches are tax-exempt institutions, and for a clergyman to endorse a President openly, as one minister is shown doing, from the pulpit is for that church to risk losing that status. (And no, a church engaging in political activism, such as protesting abortion or, yes, voter ID laws, is not the same thing as clergy using their preaching platforms to endorse political candidates.)

Towards the close of the film, our intrepid host manages to find one doofus protesting with the Tea Party, who incorrectly asserts that voting is a privilege, not a right, as if her ignorance is dispositive of the collective stupidity of the entire Tea Party movement and/or the evil and racism of the movement to strengthen voter ID laws, in general.

Our soi-disant journalist Zeina Awad says she “like[s] asking tough questions” — but apparently only of one side. This film was not journalism. It was a Democratic love letter tarted up as “speaking truth to power.”

And please note: I am not discounting the very real possibility that strict voter ID laws can constitute an unconstitutional encumbrance on members of certain voter demographics. I am not discounting the possibility that such laws are passed for partisan political purposes, rather than as an honest attempt at reducing fraud. I am not even discounting the possibility that there is racial animus motivating support for such laws, amongst certain individuals. (Although, given that almost three-quarters of voters support voter ID at the polls, I find it difficult to believe that charge is true in the majority of cases. I also find it ironic that many States do not require photo ID to vote, but the NAACP did so for those attending Attorney General Eric Holder’s in Texas, which Holder’s Justice Department is suing for its voter ID law.)

But having the moral high ground does not give one licence to dismiss the other side so easily, especially when one is charged with the very real burden of disinterested journalistic integrity. If voter ID laws are so onerous, then give the other side equal time to respond to critics’ charges, and their arguments should fall apart under honest scrutiny, just as the other side’s should hold up under the same questioning.

As it stands, Fault Lines is a sorry attempt to cast one side of a legitimate debate as the villain, by portraying it as ignorant and misguided, at best, and sinister and diabolical, at worst. It only adds further insult to injury that Al Jazeera’s audience is largely non-American, so one can only imagine how poorly the USA comes off to a foreign audience. If Al Jazeera wants American providers to carry its channel, it should take some lessons in how to do journalism justice, not pass off propaganda as honest reporting.

About Damian Geminder

Damian is a freelance journalist and recent graduate from Adelphi University. He lives in Amityville, New York.
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  • http://www.facebook.com/john.anglin.90 John Anglin

    This film sounds pretty horrendous. I love how you use it to distinguish journalism and propaganda. Documentaries are (suposed to be) nonfiction art, and it’s dangerously easy for the filmmaker’s narrative impulses to take over: content is dramatized and maninpulated so to fit into the “good and evil” template present in most fiction (fiction is always more emotionally satisfying than fact). According to your review, this impulse is completely unrestrained, and so, as a documentary (which it claims to be), it fails.

  • Kyle

    Thanks for bringing this to our attention.

    I really wish people could debate Voter ID in a civil manner without all this needless hyperbole. This article really combats some of that.

    If I were a racial minority (in the city I live in, I kind of am), I would be outraged at the assumption by among many leftists that I am somehow “less likely” to have a photo identification card than someone else. What kind of nonsense is that? Are these people so simple-minded that they think an entire race is disconnected from society? Really offensive, and I’m shocked that civil rights groups aren’t upset.

    In the state of Virginia, for example, along with passing a voter ID law, they instituted a program to make sure low income folks got an ID. The state of Georgia actually had a higher turnout in 2008 (Obama almost won this reliably red state, mind you) after instituting a voter ID law.

    Make no mistake: The disenfranchisement comes when someone who isn’t qualified to vote does vote, and it goes unchecked because the poll worker has no power to ask them to prove who they are.

    This should be a bipartisan issue. Instead, radicals are choosing to make it about race. Disgusting.

  • Anna

    It’s come to a point that whenever I hear someone throw down the race card, I automatically stop taking their views seriously. When you see the bias in a documentary it makes it all that much worse. What’s the point of making a film that you consider to be a documentary and only make it reflect one side of an argument? Didn’t they do the same thing in the Soviet Union for a number of years? Hey, if they can go to an extreme, I can too, it’s only fair. And as we all see this documentary is all about fair.

    I feel like the true racism exists when minorities are grouped into these general assumptions and are targeted as being less than others. From the sound of it, that’s exactly what this piece of propaganda does.

    My advice to these film makers is to learn how to correctly argue your point on a controversial issue. As a documentary film maker that is covering a political issue, you have a responsibility to your audience to cover both side of the issue and remain as unbiased as possible. How can we trust your point of view to be real if you only cover one side? It makes your entire research questioned. Please look at majority of the documentaries aired on BBC, or the excellent ‘Fall From Grace’, which portrays both sides of the Westboro Baptist Church so well that you have no idea what the filmmakers views yet still get the point of the documentary. The Bonus Features of the documentary show the director sitting for a private screening with members of the Westboro Baptist Church, and they loved it. Now THAT is a documentary, not this garbage.

  • Obama

    It’s sad that a major ‘argument’ that some people of the liberal persuasion repeatedly revert to is none other than an accusation of prejudice. Is it that hard for someone who is a citizen of the U.S. to go to the DMV and register for an I.D. if they want to vote? Wait, I take that back–maybe that is asking too much. We should never subject any of citizen of our own country to utilize a government run institution. That would be the real crime against humanity.

  • Amanda

    I think your assessment is way off Damian. I have looked at the “Voter ID” issue in the past and alas it just isn’t a legitimate debate in any way.

    It is true that it will impact mostly Democratic voters. It is also true that what the film refers to as “voter impersonation” does not exist in the US.

    People can register to vote under whatever name they want to put, but until they cast a ballot and it gets counted would they cross the threshold into voter fraud. Fortunately this just doesn’t happen in the US.
    The reality is that this is not an issue with two balanced sides. Voting in America is a right that everyone should be able to exercise. You don’t need an ID to do so. I say bravo ‘Fault Lines’ for achieving what so many American networks are unable to do: create hard-hitting journalism that has an edge and a purpose.

    • Damian

      I understand your point, Amanda, but like I said, my critique wasn’t so much that I disagreed with opposition to voter ID laws — I even acknowledged the numbers show such laws would mostly disadvantage Democratic voters — as with the way in which the documentary was presented. If a debate is moot, as you assert in this case, it should be immediately obvious to the viewer by how poorly the losing side defends its case. That was not apparent here, given how little time the pro-voter ID side was given.

      This reminds me of the global warming/climate change/ManBearPig debate. Al Gore, for example, refuses to debate sceptics (oh, sorry — deniers), which won’t convince the sizeable number of people who do not buy into the anthropogenic global warming theory. Likewise, this documentary alone ought not be the sole factor in shaping one’s views of voter ID laws.

      An honest piece of journalism would have given equal or at least comparable time to the other side, and its arguments should have collapsed under scrutiny. There was no opportunity for this, and thus we are left with one side overrepresented and one side nearly absent. When nearly three out of four Americans disagree with you about voter ID laws, changing their minds means confronting both sides respectfully, rather than avoiding one side entirely. What Fault Lines did does not come off as having the moral high ground; it smacks of intellectual cowardice.